“Even before 1975, there were songs with this theme-the countryside is pure, whereas cities like Saigon may be glamorous, but there’s this temptation to lose one’s moral purity,” says Dr. Most scholars I spoke with explained the salience of “Dưới Quê Vui Hơn” in the context of Vietnam’s rapidly-expanding middle class, and how urbanization has led to a exodus from villages to the big cities. But generally speaking, it’s fairly unremarkable, combining elements heard in other Vietnamese songs: choral singing, a keyboard imitating a plucked zither known as the đàn tranh, and melodic elements that evoke cải lương, a form of modern folk opera from southern Vietnam. One of “Dưới Quê Vui Hơn”’s more striking features, according to the Vietnamese music researcher Jason Gibbs, is that Lương Khánh Vy sings in a Southern dialect, whereas most popular Vietnamese music is generally sung in a Northern one. “What they were really trying to do is preserve the musical language of a Vietnam that they were continuing to idealize.” “They weren’t looking for ways to innovate,” the ethnomusicologist Adelaida Reyes once said of these Vietnamese exiles. Many artists fled Vietnam, creating their own diasporic culture often predicated on nostalgia for an idyllic, pre-war homeland. It filled in a necessary niche: After the fall of Saigon in 1975, the new Communist government censored South Vietnamese music, which was often slow and sentimental, speaking in simple terms about life: love, war, sadness.
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The extravagant TV series was conceived of in the 1980s by a refugee in Paris but later moved operations to Orange County, which hosts one of the largest Vietnamese populations outside of Vietnam. Nguyen says “Dưới Quê Vui Hơn” sounds like something from Paris by Night, a pageant-like musical variety show that’s beloved by the Vietnamese diaspora-and a common reference in the comments of TikToks featuring the song. This content can also be viewed on the site it originates from.
His video was designed for non-Vietnamese speakers, he says, “and people like me, who like R&B and don’t know about this kind of folk music.” “It was such a banger, so I had to put this on a greater stage,” he told me. Someone in Vietnam uploaded it to their small YouTube account in August 2020 months later, after the song’s viral wave, a young Vietnamese-American named Daniel found this version and re-uploaded it to YouTube under the SEO-friendly heading “ Vietnamese TikTok song,” including an English translation.
Until very recently, the song was not available on Spotify or Apple Music it’s now listed as “Con Gái Miền Tây” (roughly, “Western Girl” or “Daughter of the Western Land”). Perhaps that’s because it was originally released in 2016 by a lesser-known singer named Lương Khánh Vy, whose sparse bio on the Vietnamese streaming platform Zing MP3 states that she’s the assistant director of a family cosmetics firm.
None of the sources I spoke to-from Trinh, the SoCal teenager recommending similar “old/og Viet music” on TikTok to Hien Pham, the music director of one of Hanoi’s most prominent clubs-had heard “Dưới Quê Vui Hơn” prior to its social media explosion.
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